Jacqueline de Jong

Jacqueline de Jong (1939) is revered for her involvement in European avant-garde networks including the Gruppe SPUR and the politically engaged Situationist International movement and for founding, editing and publishing The Situationist Times in Paris in the 1960s. By now her publishing, painting and sculpture endeavours have spanned over five decades, in which motifs of eroticism, desire, violence and humour continue to recur. In her painterly practice she has effortlessly switched between different styles: from expressionist painting to new figuration and pop art.
De Jong will be the subject of a major solo exhibition at the NSU Fort Lauderdale in 2023, focusing on her works from the 1960s. Other recent solo exhibitions include The Ultimate Kiss at WIELS in Brussels, which toured to MOSTYN, Wales and Kunstmuseum Ravensburg, Germany, between 2021-2022, and a retrospective, Pinball Wizard: The Work and Life of Jacqueline de Jong at the Stedelijk Museum in 2019. Recent museum acquisitions include the Stedelijk Museum, Musée d’Art Moderne de Paris, Amsterdam Museum and Centre national des arts plastiques (Cnap).
Other solo exhibitions include a retrospective at Musée Les Abattoirs in Toulouse, ‘Same Player Shoots Again!’ at Treize in Paris, ‘Plankenkoorts’ at Dürst Britt & Mayhew, ’Resilience(s)’ at Pippy Houldsworth Gallery in London and ‘Billiards 1976-78’ at Château Shatto in Los Angeles. Recent group exhibitions include ‘She-Bam Pow POP Wizz!’ at MAMAC in Nice, ‘Radio-Activity’ at Lenbachhaus in Munich, ‘The Most Dangerous Game’ at Haus der Kulturen der Welt in Berlin, ‘Die Welt Als Labyrinth’ at MAMCO in Genève, ‘From Calder to Koons, Jewels of Artists’ at Musée des Arts Décoratifs in Paris, ‘Section Littéraire’ at Kunsthalle Bern and ‘Strategic Vandalism: the Legacy of Asger Jorn’s Modification Paintings’ at Galerie Petzel, New York.
Work by De Jong is held in private and public collections including Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; Musée d’art moderne de la Ville de Paris, Moderna Museet, Stockholm; Museum Jorn, Silkeborg; Lenbachhaus, Munich; Henie Onstad Kunstsenter, Oslo; Kunstmuseum Göteborg; MCCA Toronto; MONA, Tasmania; Rachofsky Collection, Dallas; Frans Hals Museum, Haarlem; Museum Arnhem; Cobra Museum for Modern Art, Amstelveen. In 2011 De Jong’s entire archive from the 1960s was acquired by the Beinecke Rare Book & Manuscript Library of the Yale University in New Haven.
Interviews and features
Interview in L’Officiel Art magazine
Interview in Financieel Dagblad newspaper (Dutch)
Interview in Metropolis M magazine (Dutch)
Interview in NRC newspaper (Dutch)
Download Biography
Selected Works
- La veritable Histoire de BF15, 2017
, digital print, oil stick and nepheline gel on canvas, 90 × 62 cm,
Dürst Britt & Mayhew
Jacqueline de Jong, La veritable Histoire de BF15, 2017 , digital print, oil stick and nepheline gel on canvas, 90 × 62 cm, Durst Britt & Mayhew
- L’Oeil de Perdrix Retrouvé, 2017,
digital print, oil stick and nepheline gel on canvas
, 90 × 62 cm (collection LAM Lisse)
Jacqueline de Jong, L’Oeil de Perdrix Retrouvé, 2017, digital print, oil stick and nepheline gel on canvas , 90 × 62 cm (collection LAM Lisse)
- Red Pontiac with Creepy Toes, 2017
, digital print, oil stick and nepheline gel on canvas, 90 × 62 cm (private collection)
Jacqueline de Jong, Red Pontiac with Creepy Toes, 2017 , digital print, oil stick and nepheline gel on canvas, 90 × 62 cm (private collection)
- Happy Nights of Dolwen de Bretagne, 2017,
digital print, oil stick and nepheline gel on canvas , 90 × 62 cm (NADA collection)
Jacqueline de Jong , Happy Nights of Dolwen de Bretagne, 2017, digital print, oil stick and nepheline gel on canvas , 90 × 62 cm (NADA collection)
- WAR 1914-1918, 2014, charcoal on paper
(private collection)
Jacqueline de Jong, WAR 1914-1918, 2014, charcoal on paper , 35 × 50 cm (private collection)
- WAR 1914-1918, 2013
, pastel and charcoal on paper, 50 × 70 cm (private collection)
Jacqueline de Jong, WAR 1914-1918, 2013 , pastel and charcoal on paper, 50 × 70 cm (private collection)
- WAR 1914-1918, 2013
, pastel and charcoal on paper, 40 × 70 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, WAR 1914-1918, 2013 , pastel and charcoal on paper, 40 × 70 cm, Durst Britt & Mayhew
- WAR 1914-1918, 2014
, pastel and charcoal on paper, 50 × 70 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, WAR 1914-1918, 2014 , pastel and charcoal on paper, 50 × 70 cm, Durst Britt & Mayhew
- Kobü, 1995
, oil on panel, 122,5 × 140 cm (private collection)
Jacqueline de Jong, Kobü, 1995 , oil on panel, 122,5 × 140 cm (private collection)
- Afweer, 1995, oil on panel, 140 × 122 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, Afweer, 1995, oil on panel, 140 × 122 cm, Durst Britt & Mayhew
- Separated integration, 1995, oil on panel
, 140 × 122 cm (private collection)
Jacqueline de Jong, Separated integration, 1995, oil on panel , 140 × 122 cm (private collection)
- L’Âne du Liban (Série Noire), 1981, oil on canvas
, 140 × 160 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, L’Âne du Liban (Série Noire), 1981, oil on canvas , 140 × 160 cm , Durst Britt & Mayhew
- Gardez-vous à gauche (Série Noire), 1981, oil on canvas, 140 × 160 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, Gardez-vous à gauche (Série Noire), 1981, oil on canvas, 140 × 160 cm, Durst Britt & Mayhew
- Flottant devant les yeux (Série Noire), 1981, oil on canvas
, 140 × 160 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, Flottant devant les yeux (Série Noire), 1981, oil on canvas , 140 × 160 cm, Durst Britt & Mayhew
- 30 maart 1981 (Série Noire), 1981, oil on canvas
, 120 × 90 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, 30 maart 1981 (Série Noire), 1981, oil on canvas , 120 × 90 cm, Durst Britt & Mayhew
- Autofresser (Accidental Paintings series), 1964, oil on canvas
, 163 × 133 cm (private collection)
Jacqueline de Jong, Autofresser (Accidental Paintings series), 1964, oil on canvas , 163 × 133 cm (private collection)
- Qu’il a mauvais mine (Suicidal Paintings series), 1964, oil on canvas
, 146 × 114 cm, Dürst Britt & Mayhew.
Jacqueline de Jong, Qu’il a mauvais mine (Suicidal Paintings series), 1964, oil on canvas , 146 × 114 cm, , Durst Britt & Mayhew
- Rencontre accidental (Accidental Paintings series), 1964,
oil on canvas, 126 × 193 cm (collection Stedelijk Museum Amsterdam)
Jacqueline de Jong, Rencontre accidental (Accidental Paintings series), 1964, oil on canvas, 126 × 193 cm (collection Stedelijk Museum Amsterdam)